As it’s the case with 90% of the album covers, artworks or graphic designs I create, “Regression” has started as physical painting, which was later scanned and transformed digitally.
You can view a video of the process on the right.
The concept was quite simple. I made 325 variations of the digital artwork, but couldn’t decide which one I wanted to be the “final” version, so I decided instead to put them all together in a short morphing animation.
